FICTION
“Why Don’t You…” / Leon Literary Review (Summer 2023)
“Trimester” / The Greensboro Review 113 (Spring 2023)
“Christians and Poets” / Passengers Journal (March 2022)
“Aging Out” / Leon Literary Review (December 2021)
“Little Birds” / Entropy Magazine (December 2020)
“Thoughts Leading Up to My Successful Au Pair Application” / Complete Sentence (July 2020)
“The Sandbox Story” excerpt / Craft (March 2020)
“The Sandbox Story” / Santa Fe Noir, ed. Ariel Gore. (Akashic Books, 2020)
POETRY
“Wild and Frail and Beautiful,” (cento, Woolf, Jacob’s Room), Sinister Wisdom, Spring 2024
“Sapphic Stanza 3” / Vagabond City (March 2023)
“Inside the Lip” / Roi Fainéant (September 2022)
“If the Wound Is How the Light Enters You, How Do You Heal?” / Beyond Queer Words (July 2022)
“Not Fell but Fall” / Husk (Spring 2022)
“Sapphic Stanza” / The Lovers Literary Journal (March 2022)
“On Loving Midwestern Women” / HAD (November 2021)
creative nonfiction
“Nina Simone and ‘Sinnerman’” / March Danceness (March 2024)
“Portrait of a Becoming” / Pigeon Pages (November 2019)
“Lengths and Longing” / Doubleback Review (October 2019)
“Dear Francine du Plessix Gray” / New Limestone Review (August 2019)
“Omne Trium Perfectum” / K’in Literary Journal (May 2019)
“k.d. lang’s ‘Sexuality’ and Me” / Into: A Digital Magazine for the Modern Queer World (December 2017)
craft essays & interviews
Interview with Lan Samantha Chang / Craft (February 2022)
“How Love and Death Entwine with Hair in Written on the Body” / Descant (March 2021)
“Blood and Agency in Raven Leilani’s Luster” / Craft (January 2021)
Hybrid craft essay and interview with Madeline ffitch / Craft (March 2020)
“Point of View Amplifies Theme in Zadie Smith’s ‘Crazy They Call Me’” / Craft (February 2020)
Review of Carmen Maria Machado’s In the Dream House / Brevity (February 2020)
“Self-Salvation, Structure, and Sex, Part II: Intertextuality in Carmen Maria Machado’s ‘The Husband Stitch’” / Craft (October 2019)
“Self-Salvation, Structure, and Sex, Part I: Intertextuality in Jess Walter’s ‘Famous Actor’” / Craft (August 2019)
“The Power Paragraph” / Fiction Writers Review (June 2019)
“Gyre Journeys: How Twains of Theme and Plot Meet in A Tale for the Time Being by Ruth Ozeki” (Part II) / Fiction Writers Review (April 2019)
“Gyre Journeys: How Twains of Theme and Plot Meet in A Tale for the Time Being by Ruth Ozeki” (Part I) / Fiction Writers Review (April 2019)
“Depicting Desire via the Senses of Smell and Hearing in The Price of Salt” (Part II) / Craft (February 2019)
“The Queer Gaze and the Ineffable in The Price of Salt” (Part I) / Craft, (January 2019)