“Why Don’t You…” / Leon Literary Review (Summer 2023)

“Trimester” / The Greensboro Review 113 (Spring 2023)

“Christians and Poets” / Passengers Journal (March 2022)

“Aging Out” / Leon Literary Review (December 2021)

“Little Birds” / Entropy Magazine (December 2020)

“Thoughts Leading Up to My Successful Au Pair Application” / Complete Sentence (July 2020)

“The Sandbox Story” excerpt / Craft (March 2020)

“The Sandbox Story” / Santa Fe Noir, ed. Ariel Gore. (Akashic Books, 2020)

“Animal Poem in which the Animal Doesn’t Die, 1,” Trampset, August 2024

“The Last Third, Denver to Santa Fe,” “Deer Pause,” “Let’s meet somewhere,” “Tacit Accidents,” California Quarterly, Summer 2024

“Wild and Frail and Beautiful,” (cento, Woolf, Jacob’s Room), Sinister Wisdom, Spring 2024

“Sapphic Stanza 3” / Vagabond City (March 2023)

“Inside the Lip” / Roi Fainéant (September 2022)

“If the Wound Is How the Light Enters You, How Do You Heal?” / Beyond Queer Words (July 2022)

“Not Fell but Fall” / Husk (Spring 2022)

“Sapphic Stanza” / The Lovers Literary Journal (March 2022)

“On Loving Midwestern Women” / HAD (November 2021)

“Nina Simone and ‘Sinnerman’” / March Danceness (March 2024)

“Portrait of a Becoming” / Pigeon Pages (November 2019)

“Lengths and Longing” / Doubleback Review (October 2019)

“Dear Francine du Plessix Gray” / New Limestone Review (August 2019)

“Omne Trium Perfectum” / K’in Literary Journal (May 2019)

“k.d. lang’s ‘Sexuality’ and Me” / Into: A Digital Magazine for the Modern Queer World (December 2017)

“The Braided Essay as Change Agent,” Assay: A Journal of Nonfiction Studies 10:2 (Spring 2024)

Interview with Lan Samantha Chang / Craft (February 2022)

“How Love and Death Entwine with Hair in Written on the Body” / Descant (March 2021)

“Blood and Agency in Raven Leilani’s Luster” / Craft (January 2021)

Hybrid craft essay and interview with Madeline ffitch / Craft (March 2020)

“Point of View Amplifies Theme in Zadie Smith’s ‘Crazy They Call Me’” / Craft (February 2020)

Review of Carmen Maria Machado’s In the Dream House / Brevity (February 2020)

“Self-Salvation, Structure, and Sex, Part II: Intertextuality in Carmen Maria Machado’s ‘The Husband Stitch’” / Craft (October 2019)

“Self-Salvation, Structure, and Sex, Part I: Intertextuality in Jess Walter’s ‘Famous Actor’” / Craft (August 2019)

“The Power Paragraph” / Fiction Writers Review (June 2019)

“Gyre Journeys: How Twains of Theme and Plot Meet in A Tale for the Time Being by Ruth Ozeki” (Part II) / Fiction Writers Review (April 2019)

“Gyre Journeys: How Twains of Theme and Plot Meet in A Tale for the Time Being by Ruth Ozeki” (Part I) / Fiction Writers Review (April 2019)

“Depicting Desire via the Senses of Smell and Hearing in The Price of Salt” (Part II) / Craft (February 2019)

“The Queer Gaze and the Ineffable in The Price of Salt” (Part I) / Craft, (January 2019)